Ma De Li Tu Zai Chang 17c Gai Jian Yi Ji Jin Dan Shi Nei Lian De Tai Du Jiang - 马德里屠宰场17c改建,以激进但是内敛的态度,将干预减少至最低
这是一个马德里旧屠宰场改建项目其中一部分,属于政府推广的文化项目。

最初建于1907年,目前打算建成一个全新的前卫文化中心,其中的20多个仓库都将得到改建。

其中一个仓库改建项目Warehouse 8B在6月7日已经报道,点击HERE进行查看。

本案17C是一个既考虑项目艺术性同时又考虑仓库未来租户的方案,在改建过程中,以激进但是又内敛的态度,将干预减少至最低。坦然,自信,在介入与不介入之间掌握了平衡。让新旧互为共生而不是简单的组合在一起,双方因为对方的存在而使得价值得到了提升。墙上的斑驳,外露的排水管都得到了保留。以其达到以新兴展望过去,反之亦然。

地板,门窗,踏步,玻璃处理得简单直白,建立了新与旧的开诚沟通,并让双方的表现力得到最大化展示。

更多信息请参阅下方英文。

非常感谢设计方Arturo Franco将项目介绍和项目图片授权JoyLink 竣麟发行。

Ma De Li Tu Zai Chang 17c Gai Jian Yi Ji Jin Dan Shi Nei Lian De Tai Du Jiang 1 - 马德里屠宰场17c改建,以激进但是内敛的态度,将干预减少至最低
Arturo Franco, as architect of the team, working with Fabrice van Teslaar, architect, and Diego

Castellanos, interior architect and work coordinator, had projected and constructed

Intermediae_Matadero.

Location:

C/ PASEO DE LA CHOPERA, 14. NAVE 17 C. ANTIGUO MATADERO LEGAZPI. 28045 MADRID.

Preparation of the project and completion of construction schedule:

January 2006_December 2006.

Project’s authorship:

Arturo Franco. (architect)

Fabrice van Teslaar. (architect)

Project’s collaborator

Diego Castellanos. (interior architect)

Site Supervisor and Quantity Surveyor:

Jose H. Largo Díaz.

Javier Muñoz.

Period for completion:

Five months

Work budget:

700,000 €.

Furnishing budget:

Not contracted except locksmith’s work designed by the office and included in global budget.

Intervention area:

6.000 m2

Developer/Owner

ARTS COUNCIL OF MADRID CITY COUNCIL

Construction Company:

Exisa.s.a.

Photographer/s:

Carlos Fernandez Piñar.Intermediae_Matadero

Ma De Li Tu Zai Chang 17c Gai Jian Yi Ji Jin Dan Shi Nei Lian De Tai Du Jiang 2 - 马德里屠宰场17c改建,以激进但是内敛的态度,将干预减少至最低
The project was born in the scope of the Old Slaughterhouse of Madrid and belongs to a cultural

program promoted by the City Council. A complex of more than twenty warehouses constructed

by the architect Luis Bellido circa 1907, that now intends to become a new avant-garde cultural

centre where different institutions have assumed the management and refurbishment of some

warehouses. ARCO Foundation, Ruipérez Foundation, the Teatro Español, the Designers

Society, COAM Foundation and Madrid City Council will be the first ones occupying this space.

First of all, the warehouse 17c has been assigned to Intermediae, a new institution created by the

Madrid City Council to promote contemporary creation through a program of scholarships and

initiatives linking artistic production and citizen participation. All of this is intended as a steady

process of production, where precisely the process will become the common thread of this space.

The warehouse 17c has been the first intervention made in the Matadero complex and, as such,

could be considered as a pilot trial. The project was born with two well-defined clients. On the one

hand, the Council itself by means of its Arts City Council and on the other hand, by means of

Intermediae and its programmatic constraints as the warehouse’s future tenant.

When addressing the project, Intermediae philosophy was the first condition and, as Pedro Aullón

says, the concept of process is still alive.

Ma De Li Tu Zai Chang 17c Gai Jian Yi Ji Jin Dan Shi Nei Lian De Tai Du Jiang 3 - 马德里屠宰场17c改建,以激进但是内敛的态度,将干预减少至最低
“The process…

Process is an idea related to relationship and change dynamics and implies, in our perspective, a

vivacious sense of experience. Being considered like this, the process doesn’t opt for the

analysis or synthesis preponderance but naturally coexists among them, installed on a base that

is intuition, foremost, and the open sky of an imagination that cannot be separated from

understanding. The process as a needful becoming, not in a theoretical or practical sense but

as reality that goes beyond this distinction, is inseparable from an idea of reflection on becoming

as well as on the idea of becoming itself, because it is possible to consider that all becoming is

mixed up in the same march of events. It’s the procession of processions, the absoluteness. If

certain thought in the first half of the Twentieth Century insisted on a process of physical as well

as metaphysical argument by a path able to transcend the philosophical tradition of substance, at

the same time it’s true that it is possible to find a non-contradictory tradition with substance that,

by means of a non-restrictive exegesis, highlights the requirement of motion and novelty, action

and processualism, functional capacity and duration. This is not alien to an assessment criterium

but it enriches it. It is continuity, discontinuity and the process continuity, alive reality.

Pedro Aullón”

Ma De Li Tu Zai Chang 17c Gai Jian Yi Ji Jin Dan Shi Nei Lian De Tai Du Jiang 4 - 马德里屠宰场17c改建,以激进但是内敛的态度,将干预减少至最低
From the very beginning, we assumed the intervention as an opportunity to explore the

possibilities of refurbishment. The point was to contribute with a new attitude in face of the public

realm of historical patrimony, a radical posture, an experience about limits, the limits of non–

intervention, reducing such intervention to a bare minimum.

In this project, the traditional insecurity and theoretical vagueness that persistently affects actual

interventions on patrimonial legacy with results halfway in-between what to do and what not to do,

disappeared from the very beginning. We decided to choose an idea and to explore it to the very

end, without fears, with no inferiority complexes. We decided to intervene in a radical manner

without intervening, taking the idea to the ultimate consequences.

This crude standpoint before refurbishment and the necessity to serve Intermediae like a rising

institution in constant evolution, so the natural ambiguities from a bicephalous client, had forged

the natural hardness of the project.

We made no concessions concerning refurbishment, respecting the ruin, boosting its values with

minimum intervention. A constant dialog has been established between the new and the old,

without mixing them up, together but not blended. These two languages look close to each other.

The new boosts the value of the old and vice versa. Two viewpoints face to face, both revealed

with maximum rawness. In a voluntary manner, we chose to preserve the cuts on the walls, the

same kind of cuts a radial saw does. Exposed, PVC drain pipes are more interesting. With the

withdrawal of revoke, marks made by the backhoe originate unexpected textures. Here, cork

isolations appear like a witness of its cooling history, with no inferiority complexes. Thus, the past

reveals itself, the work reveals itself. Any witness of the process remains intact. The powder blue

of levels, the retrieval and consolidation of columns, signs, wrinkles, wounds still open, like the

existence of an old man with no oddities, where its immoderate personality seems to be beyond

anything.

Against this, what is new: very few, very hard, very clean and very upright. The novelty appears

with determination, sometimes very heavy, very confident; sometimes very clear, very fragile.

Youthfulness looking to the past and vice versa.

Its condition of transformable space led us to consider its reutilisation, its relocation, its constant

manipulation and in its high wear resistance. For this, we have used materials coming directly

from industrialization, with no transformation at all, using standard dimensions. Thus, de-

contextualised steel profiles, with no treatment, become benches, bars, raised floors,

baseboards, doors, glass stops, etc. Also, glass mounted the easiest way with its maximum

dimensions and uncut can be reutilised. A world of industrial materials loaded with heaviness,

able to establish an open communication with the old, the ancient, reaching the both its maximum

expressiveness.

Ma De Li Tu Zai Chang 17c Gai Jian Yi Ji Jin Dan Shi Nei Lian De Tai Du Jiang 5 - 马德里屠宰场17c改建,以激进但是内敛的态度,将干预减少至最低
Ma De Li Tu Zai Chang 17c Gai Jian Yi Ji Jin Dan Shi Nei Lian De Tai Du Jiang 6 - 马德里屠宰场17c改建,以激进但是内敛的态度,将干预减少至最低
Ma De Li Tu Zai Chang 17c Gai Jian Yi Ji Jin Dan Shi Nei Lian De Tai Du Jiang 7 - 马德里屠宰场17c改建,以激进但是内敛的态度,将干预减少至最低
Ma De Li Tu Zai Chang 17c Gai Jian Yi Ji Jin Dan Shi Nei Lian De Tai Du Jiang 8 - 马德里屠宰场17c改建,以激进但是内敛的态度,将干预减少至最低
Ma De Li Tu Zai Chang 17c Gai Jian Yi Ji Jin Dan Shi Nei Lian De Tai Du Jiang 9 - 马德里屠宰场17c改建,以激进但是内敛的态度,将干预减少至最低
Ma De Li Tu Zai Chang 17c Gai Jian Yi Ji Jin Dan Shi Nei Lian De Tai Du Jiang 10 - 马德里屠宰场17c改建,以激进但是内敛的态度,将干预减少至最低
Ma De Li Tu Zai Chang 17c Gai Jian Yi Ji Jin Dan Shi Nei Lian De Tai Du Jiang 11 - 马德里屠宰场17c改建,以激进但是内敛的态度,将干预减少至最低
Ma De Li Tu Zai Chang 17c Gai Jian Yi Ji Jin Dan Shi Nei Lian De Tai Du Jiang 12 - 马德里屠宰场17c改建,以激进但是内敛的态度,将干预减少至最低
Ma De Li Tu Zai Chang 17c Gai Jian Yi Ji Jin Dan Shi Nei Lian De Tai Du Jiang 13 - 马德里屠宰场17c改建,以激进但是内敛的态度,将干预减少至最低
Ma De Li Tu Zai Chang 17c Gai Jian Yi Ji Jin Dan Shi Nei Lian De Tai Du Jiang 14 - 马德里屠宰场17c改建,以激进但是内敛的态度,将干预减少至最低
Ma De Li Tu Zai Chang 17c Gai Jian Yi Ji Jin Dan Shi Nei Lian De Tai Du Jiang 15 - 马德里屠宰场17c改建,以激进但是内敛的态度,将干预减少至最低
Ma De Li Tu Zai Chang 17c Gai Jian Yi Ji Jin Dan Shi Nei Lian De Tai Du Jiang 16 - 马德里屠宰场17c改建,以激进但是内敛的态度,将干预减少至最低
Ma De Li Tu Zai Chang 17c Gai Jian Yi Ji Jin Dan Shi Nei Lian De Tai Du Jiang 17 - 马德里屠宰场17c改建,以激进但是内敛的态度,将干预减少至最低
Ma De Li Tu Zai Chang 17c Gai Jian Yi Ji Jin Dan Shi Nei Lian De Tai Du Jiang 18 - 马德里屠宰场17c改建,以激进但是内敛的态度,将干预减少至最低
Ma De Li Tu Zai Chang 17c Gai Jian Yi Ji Jin Dan Shi Nei Lian De Tai Du Jiang 19 - 马德里屠宰场17c改建,以激进但是内敛的态度,将干预减少至最低
Ma De Li Tu Zai Chang 17c Gai Jian Yi Ji Jin Dan Shi Nei Lian De Tai Du Jiang 20 - 马德里屠宰场17c改建,以激进但是内敛的态度,将干预减少至最低
Ma De Li Tu Zai Chang 17c Gai Jian Yi Ji Jin Dan Shi Nei Lian De Tai Du Jiang 21 - 马德里屠宰场17c改建,以激进但是内敛的态度,将干预减少至最低


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